By Charles Baudelaire

I mean to strike you without hate,
As butchers do; as Moses did
The rock. From under either lid
Your tears will flow to inundate

This huge Sahara which is I.
My heart, insensible with pain,
Caught in that flood will live again:
Will care whether it live or die —

Will strive as in the salty sea,
Drunken with brine and all but drowned,
Yet driven onward by the sound
Of your wild sobbing endlessly!

For look — I am at war, my dear,
With the whole universe. I know
There is no medicine for my woe.
Believe me, it is called Despair.

It runs in all my veins. I pray:
It cries in all my words. I am
The very glass where what I damn
Leers and admires itself all day.

I am the wound — I am the knife
The deep wound scabbards; the outdrawn
Rack, and the writhing thereupon;
The lifeless, and the taker of life.

I murder what I most adore,
Laughing: I am indeed of those
Condemned for ever without repose
To laugh — but who can smile no more.

— George Dillon, Flowers of Evil (NY: Harper and Brothers, 1936)

BY SYLVIA PLATH

I have done it again.   
One year in every ten   
I manage it——

A sort of walking miracle, my skin   
Bright as a Nazi lampshade,   
My right foot

A paperweight,
My face a featureless, fine   
Jew linen.

Peel off the napkin   
O my enemy.   
Do I terrify?——

The nose, the eye pits, the full set of teeth?   
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be   
At home on me

And I a smiling woman.   
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.   
What a trash
To annihilate each decade.

What a million filaments.   
The peanut-crunching crowd   
Shoves in to see

Them unwrap me hand and foot——
The big strip tease.   
Gentlemen, ladies

These are my hands   
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.   
The first time it happened I was ten.   
It was an accident.

The second time I meant
To last it out and not come back at all.   
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.   
I do it exceptionally well.

I do it so it feels like hell.   
I do it so it feels real.
I guess you could say I’ve a call.

It’s easy enough to do it in a cell.
It’s easy enough to do it and stay put.   
It’s the theatrical

Comeback in broad day
To the same place, the same face, the same brute   
Amused shout:

‘A miracle!’
That knocks me out.   
There is a charge

For the eyeing of my scars, there is a charge   
For the hearing of my heart——
It really goes.

And there is a charge, a very large charge   
For a word or a touch   
Or a bit of blood

Or a piece of my hair or my clothes.   
So, so, Herr Doktor.   
So, Herr Enemy.

I am your opus,
I am your valuable,   
The pure gold baby

That melts to a shriek.   
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash—
You poke and stir.
Flesh, bone, there is nothing there——

A cake of soap,   
A wedding ring,   
A gold filling.

Herr God, Herr Lucifer   
Beware
Beware.

Out of the ash
I rise with my red hair   
And I eat men like air